Narration and Doctrine in the Merchant's Tale

Speculum 66 (2):342-367 (1991)
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Abstract

The Merchant's Tale is by most accounts Chaucer's bleakest and most savagely ironic story in the Canterbury Tales. Rivaled perhaps in its cynical appraisal of human motives by the Pardoner's nervy gambit to separate the Canterbury pilgrims from their currency and other valuables, it is a story that seemingly lacks a ground of moral belief and leaves little room for sympathy with its characters. Its imaginary world is one that nobody would care to inhabit. Some modern readers offer a temperate view of the tale, seeing it as an artfully contrived, lighthearted farce about marriage; but most accept the terms, if not the conclusions, that led George Lyman Kittredge to characterize the tale as “a frenzy of contempt and hatred” and J. S. P. Tatlock to remark on its “unrelieved acidity.”

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