Can you use this style in other contexts? With R.K. Nar*y*n

Abstract

This paper argues against a thesis that Shashi Tharoor seems to accept: that R.K. Narayan’s style is bound up with a very specific context, of people left behind by the times in South India. It cannot deal with other subject matter. I present a little fiction to challenge the thesis.

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Terence Rajivan Edward
University of Manchester (PhD)

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