Abstract

By comparison with Aeschylus and Sophocles, Euripides makes remarkable use of young children in his tragedies. There are vocal parts, sung by individual children inAlcestisandAndromache, cries off for the two boys inMedea, and a song for a supplementary chorus of boys inSupplices. Important episodes concern silent children on stage inHeraclesandTroades, lesser roles occur inHecubaandIphigeneia in Aulis, and suppliant children may be on stage throughoutHeracleidae. No children figure in the extant plays of Aeschylus, and Sophocles gives them silent parts only inAjaxandOedipus Tyrannus. It seems reasonable to suppose that children are proportionally more central to Euripides’ idea of tragedy, and that individual plays might be studied from this angle. Accordingly I propose to analyse the part of the children inAlcestis, not with questions of methods of performance in mind, but for what the presence, action, utterance or absence of children at any point can tell us about the issues and themes of the play.