Abstract
We have always had some fear of our machines. During the Industrial Revolution, for instance, we developed machines fueled by steam and oil to assist us in our labour-intensive tasks, and saw dramatic increases in our productivity. But we worried, maybe rightfully so, because we saw machines that outpaced us physically and we knew that we could not compete. After a while, we learned to accept them. It has been our nature to accept new technologies after we have seen how they can improve our way of life—at least up to now. Today we have a new type of machine to worry about. This one is powered not by steam but by knowledge, and is designed to aid us in our mental tasks. It is this design goal that troubles us the most. Perhaps it stems from the notion that although we can now accept being surpassed by machines in mechanical tasks, we consider mental creativity to be the province of humanity. The development of an intelligent machine, therefore, stirs our emotions. This paper looks at our emotional relationship with intelligent machines. It considers questions, both old and new, that may have concerned us about our machines and ourselves. To focus the discussion on this introspection, the paper takes a close look at the films "2001: A Space Odyssey" and "Artificial Intelligence: A.I." By no means does this paper answer the questions that we have lived with when building intelligent machines. It simply casts the questions in a light that we should consider