Deleuze and Guatarri Studies 3 (2):185-206 (2009)

This essay sets out from the premise that the films of Jacques Rivette merit sustained reconsideration in the framework provided by Deleuze's Cinema 2: The Time-Image. In particular it explores the concepts of ‘the powers of the false’ and ‘fabulation’ as ways of engaging with Rivette's cinematic oeuvre, with a particular focus on his Paris-set films. On this basis the article seeks to add to the readings undertaken by Deleuze himself and, in the light of Rivette's cine-thinking, to examine in tandem both films to which Deleuze directly responded, such as Le Pont du nord, and later post-Deleuze renegotiations of the city such as Secret défense
Keywords No keywords specified (fix it)
Categories (categorize this paper)
DOI 10.3366/e1750224109000580
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 71,410
Through your library

References found in this work BETA

Negotiations, 1972-1990.Gilles Deleuze - 1995 - Columbia University Press.

View all 20 references / Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

Passions and Actions: Deleuze's Cinematographic Cogito.Richard Rushton - 2008 - Deleuze and Guatarri Studies 2 (2):121-139.
Speranza, the Wandering Island.Ronald Bogue - 2009 - Deleuze and Guatarri Studies 3 (1):124-134.
The Secret of Theory.Claire Colebrook - 2010 - Deleuze and Guatarri Studies 4 (3):287-300.
The Time-Image and Deleuze's Transcendental Experience.Valentine Moulard - 2002 - Continental Philosophy Review 35 (3):325-345.
Deleuze on Cinema.Ronald Bogue - 2003 - Routledge.


Added to PP index

Total views
74 ( #157,631 of 2,519,809 )

Recent downloads (6 months)
1 ( #406,314 of 2,519,809 )

How can I increase my downloads?


My notes