Abstract

Delius’ Messe des Lebens (1907) transforms Nietzsche’s Also sprach Zarathustra (1883-5) into a Mass, religious services for worshippers of ‚Life‘. An individual reader’s train of thought is thus replaced by a collective experience at grand scale. To achieve that, Delius abandons cognitive, in particular philosophical, as well as satirical and parodistic features of Nietzsche’s Zarathustra. Yet unlike the Christian Mass, Eine Messe des Lebens gathers its congregation less by reference to belief, but rather by virtue of a sequence of musically evocative moods (‚Stimmungen‘). Mood is not to be confused with a mere subjective state (‚feeling‘). Bound up with Delius’ idea of Nature, it is meant to dispel the suspicion of arbitrariness attached to the particular artistic invention of a Mass of Life, compared to its rival, the anonymous Holy Mass.