Abstract

In this article we discuss the modern premises of visuality and the effects of the cultural transfer of optical and photographic techniques on the work of Max Blecher, a Romanian Jewish writer who was a keen explorer of Marcel Proust’s works. In his works Blecher pursued the same theme as Proust—the mechanisms of interior memory and life—and often used optical instruments as a metaphor of identity. The role of the photographic model in his depiction of social tableaux, characters, and dispositions, originated partly in the influence of Proust’s writing and partly in other techniques of the European literary avant-gardes.