Abstract

In several of the 100?plus drawings that Haarlem artist Maerten van Heemskerck made while he was in Rome in the 1530s, he depicts the sculpture collections he visited in the Vatican, on the Capitoline and in the cortili and gardens of numerous Roman palaces. This is some of the earliest Northern ?collection imagery?, and the collection environment commands as much of his pictorial attention as the sculptures themselves. The central argument of the essay is that van Heemskerck?s novel images related to period conceptions of the uses and functions of memory, and suggests that his drawings had an important afterlife in the Flemish pictures of collections genre of the early seventeenth century