Abstract

Working at the commencement from Derrida’s ‘Archive Fever’ this article explores Derrida’s definition of the archive – topographical, nomological, archontic – and alongside this official archive counters with an alternative archive, non-topographical, non-nomological, non-archontic forms of archive.The story of the accusations launched at Gerry Adams introduces some questions regarding the authenticity and authorisations of archives. This story evokes the competing archives of childhood and the possibility of critique arising from recognition of the tensions between competing archives. The article addresses the complications of archives, counter-archives, archaeology and genealogy as records and research materials. The writer uses Cixous’s notion of ‘ecriture feminine’ as a way of escaping the linearities of archivalism.