Abstract

Theoria originally implied a kind of active observation, combining perception with asking questions and listening to local stories and myths. This is travel treated not as a metaphor in discourse, but as both source and goal of discourse, or movement as a format for conveying information seen and heard. This would be travel as paraphor or travel and discourse carried one alongside the other as a context for intellection. This article articulates travel as paraphor using Greg Ulmer’s concept of the ‘popcycle’ to analyze the architect Le Corbusier’s ecstatic moment in the monastery at Val d’Ema, outside Florence, revealing thespatial practice of theoria within the architect’s travel tour