Angelaki 23 (4):133-149 (2018)

Abstract
In Survivance des lucioles, Georges Didi-Huberman cites sections from a letter in which Pier Paolo Pasolini describes an encounter with a swarm of fireflies. The sight of the fireflies triggers reflections on various topics on the part of Pasolini. However, at the end of his life, Pasolini lamented the fact that fireflies had disappeared in modern society, serving as a metaphor for the fact that he had lost all hope in the consumerist society in which he was living. Pasolini’s reflections on fireflies illustrate Georges Didi-Huberman’s theories on the current state and politics of images in contemporary society. In this article, several key features of the politics of images, according to Didi-Huberman, are clarified, in particular, the role of pathos and imagination. It is on the role of pathos and imagination that Didi-Huberman’s views will diverge from the theories of other prominent theorists of images, such as Jacques Rancière, Roland Barthes, W.J.T. Mitchell and Bruno Latour. By clarifying these diverging views, the theories of Didi-Huberman can be formulated more precisely.
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DOI 10.1080/0969725x.2018.1497285
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References found in this work BETA

The Visible and the Invisible.B. Falk - 1970 - Philosophical Quarterly 20 (80):278-279.
Why Critique Has Run Out of Steam.Bruno Latour - 2004 - Critical Inquiry 30 (2):225-248.
Image, Music, Text.Roland Barthes & Stephen Heath - 1978 - Journal of Aesthetics and Art Criticism 37 (2):235-236.

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