Abstract

(in lieu of abstract, first paragraphs here) For philosophers, reading Richard Dawkins is often a frustrating experience. Many of Dawkins’ writings treat important philosophical topics, such as the existence of God, the meaning of life, the relationship of randomness to order. Dawkins has original ideas, but he lacks the philosophical training and vocabulary to articulate these ideas properly and to develop them coherently. In Believing in Dawkins, Eric Steinhart sets himself an ambitious task: to use the writings of Dawkins to present a coherent, naturalistic alternative to religious metaphysics, specifically to Christian theism. Using an architectural metaphor, he summarizes the project of Believing in Dawkins as follows It is helpful to think of the Dawkinsian texts in architectural terms. His fragmentary sketches for spiritual naturalism are like architectural drawings. Sometimes they depict little windows, while other times they portray enormous spires reaching towards the stars. The edifice is vast. But these architectural diagrams are often unclear, incomplete, and inconsistent. I want to clarify them, fill in their missing parts, and resolve their conflicts. So I’m using his writings to construct a novel building. … To fit his fragmentary plans into a coherent and self-supporting structure, I will add some large-scale frameworks (10). Steinhart’s wide-ranging book covers many topics: complexity, ontology, possibility, humanity, spirituality, among many others. He does not sneak theism into Dawkins’ writings. In fact, Steinhart argues that many practices and ideas that he uses to construct the edifice of Dawkins’ spiritual naturalism have been hijacked by theism, such as the notion of an afterlife, sacredness, holiness, and even the notion of gratitude.