Abstract

There is something appropriate about Lyotard’s last printed work being his most intimate and revealing. Best known for The Postmodern Condition: A Report on Knowledge, Lyotard died in the April of 1998, leaving his Confession d’Augustin, as Dolorès Lyotard tells us in her “Forewarning,” “scarcely half” finished. Although his New York Times obituary claimed that “awaiting publication is his final book about the ‘Confessions’ of St. Augustine”, this work is less a book about the Confessions as it is an insight into a twentieth century philosopher at the end of his life. Revealed here is a philosopher struggling with the perennial themes of Augustine’s own odyssey: confession as praise and contrition. Perhaps it was Lyotard’s own battle with leukemia and his growing sense of mortality that gave him such insights into Augustine’s early fallacy of thinking of God as encircling and filling all things throughout space that he is able to write, “Such is flesh visited, co-penetrated by your space-time, disturbed and confused with this blow, but steeped in infinity, impregnated and pregnant with your overabundant liquid: the waters of the heavens” ; and regarding the relationship between time and immunity, Lyotard understands that, “God only sees himself in God. Compared with the incomparable brightness, all is night, and speech is noise after the silence of lauds. In the sky of skies, the heaven of heavens, wisdom celebrates its glory. The intelligence with which the angelic creatures are infused is not co-eternal with their creator, but it is exempt from becoming”. Passages like these not only present Augustine in a new light, but invite readers to see themselves in this light as well.