Romanticism, Hellenism, and the Philosophy of Nature

Springer Verlag (2018)
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Abstract

This book investigates intersections between the philosophy of nature and Hellenism in British and German Romanticism, focusing primarily on five central literary/philosophical figures: Friedrich Schelling, Friedrich Hölderlin, Johann Wolfgang von Goethe, Percy Shelley, and Lord Byron. Near the end of the eighteenth century, poets and thinkers reinvented Greece as a site of aesthetic and ontological wholeness, a move that corresponded with a refiguring of nature as a dynamically interconnected web in which each part is linked to the living whole. This vision of a vibrant materiality that allows us to become “one with all that lives,” along with a Romantic version of Hellenism that wished to reassemble the broken fragments of an imaginary Greece as both site and symbol of this all-unity, functioned as a two-pronged response to subjective anxiety that arose in the wake of Kant and Fichte. The result is a form of resistance to an idealism that appeared to leave little room for a world of beauty, love, and nature beyond the self.

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Chapters

Coda: With Byron on Acrocorinth

In this chapter, we return to the very spot on the Greek landscape where we began in Chap. 10.1007/978-3-319-91292-9_2: AcrocorAcrocorinthin Byron’s travels and The Siege of Corinthinth. I argue that we can read Byron’s The Siege of Corinth as a poem of resistance to the trope of OnenessByron’s resi... see more

Aesthetic/Erotic Intuition: Hölderlin, Shelley, and the Islands of the Archipelago

In this chapter I argue that we can best read an enigmatic scene of erotic encounter from Hölderlin’s Hyperion through comparison with a paradigm of aesthetic production outlined by Schelling at the end of System of TranscSchelling, FriedrichSystem des transcendentalen Idealismus endental Idealism. ... see more

The Philosophy of Nature: Goethe, Schelling, and the World Soul

This chapter focuses on the relation between Schelling’s philosophy of nature and Goethe’s theorizing of a “Greececlassical” aesthetic. The two discussed plans for a joint great poemGoethe“Großes Naturgedicht” of nature, and though they never completed it, Goethe did produce several short lyrics rel... see more

Intellectual Intuition: With Hölderlin, “Lost in the Wide Blue”

Friedrich Hölderlin’s novel, Hyperion, opens with fantasFantasy/Fantasmaticies of the protagonist’s melding into unity with nature. These visions of Oneness find a corollary in the novel’s setting within an idealized version of Greeceidealization of. I argue that we can best understand the significa... see more

Introduction: Romantic Hellenism, the Philosophy of Nature, and Subjective Anxiety

Certain poetic and philosophic texts of the Romantic period respond to a Subjectivism they perceive in the wake of Kant’s critiques. The philosophy of nature , particularly as it appears in Friedrich Schelling’s work of the 1790s, along with the notion of an idealized Greeceidealization of that acts... see more

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