Abstract

Anyone interested in the relationship between culture and the intellectual life, has no doubt turned to the works of Christopher Dawson. This collection of ten essays from a recent conference at Oxford acts as an excellent commentary on Dawson’s main academic concerns: recovering history as a philosophical-theological category, and the reintegration of the disciplines so as to provide future generations with an understanding of culture in the truest sense of the term. As John Morrill points out in his introductory essay, Dawson’s “passionate commitment to metahistory and his proclamation of the deeply moral purpose of the historian” —although out of favor in some academic circles—marks his as a unique voice in the search for truth. Dawson’s daughter, Christina Scott, offers the reader some otherwise inaccessible insights into her father’s life, especially regarding his early interest in Augustine’s De civitate Dei and Gibbon’s Decline and Fall. Aidan Nichols, OP provides a bigger picture. His essay, “Christopher Dawson’s Catholic Setting,” highlights the “theology of culture” affecting all parts of English life during the earlier part of this century: the literature, art, architecture, and philosophy that brought “a Catholic sensibility to bear on cultural life”. The Chelsea set, a vibrantly orthodox Catholic salon to which Dawson belonged, centered their thought around the Neo-Thomism of Gilson and Maritain, the literature of Fumet and Julian Green, as well as the social thought of Emmanuel Mounier.