British Journal of Aesthetics 48 (2):162-174 (2008)

Even if we reject the Wollheimian reading of Collingwood as an Idealist in the ontology of art, it remains puzzling how his non-Idealist ontology fits with his idea of art as expression. In trying to clarifying these matters, I argue that (i) the work of art, for Collingwood, is an activity, not the product of an activity; (ii) puzzling features of the Principles arise from attempts to reconcile this claim with the idea of art as expression while preserving the art/craft distinction; and (iii) Collingwood's principal concern in the Principles is with the role of imagination in experience. CiteULike Connotea What's this?
Keywords Collingwood   Aesthetics
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DOI 10.1093/aesthj/ayn003
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A Return to Musical Idealism.Wesley D. Cray & Carl Matheson - 2017 - Australasian Journal of Philosophy 95 (4):702-715.
Feeling, Emotion and Imagination: In Defence of Collingwood's Expression Theory of Art.Nick Wiltsher - 2018 - British Journal for the History of Philosophy 26 (4):759-781.
Re-Enactment, Reconstruction and the Freedom of the Imagination: Collingwood on History and Art.Paul Guyer - 2018 - British Journal for the History of Philosophy 26 (4):738-758.

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