Abstract

This article aims to grope how Paul Veyne's thought operates from his interlocutors. For this, seeking to clarify the “methodological” issues of his historiographic making and his aesthetic bases, a series of relations will be introduced between the mentioned author and Nietzsche, Deleuze, Foucault, and Borges. Starting from Nietzsche, in the first part, entitled “Veyne and the relational methodology”, it will be justified how it is possible to make a historiographical theory that merges philosophy and anthropology in its constitution. In the second half, called “Mental categories of relational mediation in Veyne”, the possible aesthetic bases that operate within Veynian thought will be presented –for this purpose, mainly studies on the Baroque will be used.