The philosophical disenfranchisement of art

New York: Columbia University Press (1986)
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Abstract

In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of Art_ continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians

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Citations of this work

Metaphor and Prop Oriented Make‐Believe.Kendall L. Walton - 1993 - European Journal of Philosophy 1 (1):39-57.
The Oxford Handbook of Philosophical Methodology.Herman Cappelen, Tamar Gendler & John P. Hawthorne (eds.) - 2016 - Oxford, United Kingdom: Oxford University Press.
The concept of the aesthetic.James Shelley - 2017 - Stanford Encyclopedia of Philosophy.
Sensory Force, Sublime Impact, and Beautiful Form.Eli I. Lichtenstein - 2019 - British Journal of Aesthetics 59 (4):449-464.

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