Columbia University Press (1986)
| Abstract |
In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of Art_ continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians
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| Keywords | Aesthetics Art Philosophy |
| Categories | (categorize this paper) |
| Reprint years | 1989 |
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| Call number | BH39.D35 1986 |
| ISBN(s) | 0231063644 9780231132268 0231063652 9780231063647 |
| DOI | 10.2307/2185294 |
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Citations of this work BETA
Metaphor and Prop Oriented Make‐Believe.Kendall L. Walton - 1993 - European Journal of Philosophy 1 (1):39-57.
Art and Ethical Criticism: An Overview of Recent Directions of Research.Noël Carroll - 2000 - Ethics 110 (2):350-387.
The Oxford Handbook of Philosophical Methodology.Herman Cappelen, Tamar Szabó Gendler & John Hawthorne (eds.) - 2016 - Oxford University Press.
Sensory Force, Sublime Impact, and Beautiful Form.Eli I. Lichtenstein - 2019 - British Journal of Aesthetics 59 (4):449-464.
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