Abstract
I Am not proposing in this essay to treat at length and in detail of the metric of other lyric poets. In most cases questions of metre are intimately involved with questions of text, into which so many other considerations enter that in dealing with them proportion would be lost, while metrical analysis of such material would still remain largely speculative. What follows is therefore little more than a general account of the principles of composition which these poets appear to me to follow; I have, however, indicated a few passages where emendations made purely on metrical grounds and widely accepted seem to me, in the absence of responsion, based on too ready a desire to reduce all poems to the best-known formulas of versification