Abstract
This essay is in the philosophy of Christian liturgy. Specifically, it explores the liturgical practice, at home in the Eastern Orthodox Church, of venerating icons, asking: What is it about the liturgical role of icons that would make behavior such as touching and kissing them appropriate? After arguing that the standard answers to this question offered by Western and Eastern Christians are inadequate, I develop an account according to which the icons are instruments of divine action. More exactly, I claim that they are vehicles of divine discourse. The behavior exhibited toward icons on the part of Eastern Christians, I maintain, makes excellent sense on the assumption that they are responses to speech acts performed by God by way of God’s appropriating the art of the church.