Phenomenology of the Visual Arts (Even the Frame)

Stanford University Press (2009)
  Copy   BIBTEX

Abstract

Why are the visual arts so important and what is it that makes their forms significant? Countering recent interpretations of meaning that understand visual artworks on the model of literary texts, Crowther formulates a theory of the visual arts based on what their creation achieves both cognitively and aesthetically. He develops a phenomenology that emphasizes how visual art gives unique aesthetic expression to factors that are basic to perception. At the same time, he shows how various artistic media embody these factors in distinctive ways. Attentive to both the creation and reception of all major visual art forms, _Phenomenology of the Visual Arts_ also addresses complex idioms, including abstract, conceptual, and digital art

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The Philosophy of the visual arts.Philip Alperson (ed.) - 1992 - New York: Oxford University Press.
Art rules: Pierre Bourdieu and the visual arts.Michael Grenfell - 2007 - New York: Berg. Edited by Cheryl Hardy.
Is Proprioceptive Art Possible?Markus Schrenk - 2014 - In Graham George Priest & Damon Young (eds.), Philosophy and the Martial Arts. New York: Routledge. pp. 101-116.
The spatial arts: an interview with Jacques Derrida.Peter Brunette & David Wills - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the Visual Arts: Art, Media, Architecture. Cambridge University Press. pp. 9--32.
Complexity: Architecture, Art, Philosophy.Andrew Benjamin (ed.) - 1995 - Distributed to the Trade in the United States of America by National Book Network.

Analytics

Added to PP
2014-04-07

Downloads
6 (#1,430,516)

6 months
4 (#790,687)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Why Painting Matters: Some Phenomenological Approaches.Anthony Rudd - 2017 - Journal of Aesthetics and Phenomenology 4 (1):1-14.
Image Consciousness, Movement Consciousness.Jonathan Owen Clark - 2019 - Midwest Studies in Philosophy 44 (1):48-69.

Add more citations

References found in this work

No references found.

Add more references