In
Universitas: las artes ante el tiempo. Actas del XXIII Congreso Nacional de Historia del Arte. Salamanca, España: pp. 695-704 (
2021)
Copy
BIBTEX
Abstract
The analytical and mechanical register capacity of cinema seems to promise, finally, the authentic representation of man through his face. Taking as a reference the modern portrait, whose historical and theoretical conceptual and formal ambiguity is forged from the 15th century onwards within the limits of painting, we will try to approach the problem of portraiture in cinema taking into account the ontological specificities of the medium.