Abstract

Given recent developments in Franco‐German phenomenology with its so‐called ‘theological turn’, there has been a concomitant renewal of interest in Maurice Blondel's thought. In this paper I consider the phenomenological structure of Blondel's early philosophy. Blondel defended and published his controversial thesis in 1893 and with this work presented a highly original phenomenology that was deeply indebted to the positive tradition and yet went beyond this same tradition to include even religious practice as part of its inquiry. Keen to engage the rationalist philosophers of the French academy, Blondel proposed a phenomenological project that was geared to engage the critical spirit of an age that was already deemed to be post‐metaphysical. It is in clarifying the manner in which Blondel conceives such a positive phenomenology that I indicate how his thought may contribute to contemporary debates in the phenomenology of religion