Story of the Eye

Telos: Critical Theory of the Contemporary 1978 (36):249-252 (1978)
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Abstract

Whatever track history is on, the coach bearing French intellectuals always seems to be leaving the station as the coach bearing us is pulling in. Place, for example, George Bataille's erotic novel, Story of the Eye, first published in 1928, next to works by Hemingway and Fitzgerald from the same period. The comparison is less perverse than it sounds. Story of the Eye has the sanatoriums and the incest of Tender is the Night, the bullfights of The Sun Also Rises, and the international rich—found in both American novels—who cruise Europe for sexual adventure. But Bataille's bullfight is not Hemingway's: “First, Simone bit into one of the raw balls, to my dismay, then Granero advanced toward the bull, waving his scarlet cloth

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