Abstract

The Book of Psalms was unquestionably the book of the Old Testament most beloved by patristic and medieval exegetes. Seen as a guide to the Christian life and as a prophecy of Christ and his church, the Psalms received extended attention from Hilary of Poitiers, Augustine, and Cassiodorus and from their Carolingian and Anglo-Saxon successors. After the ninth century, monastic writers continued to display a sustained interest in the text. As had always been the case, so in the twelfth century the goal of monastic commentators was to inspire unction and compunction in their monastic audience. And, as before, their address to the Psalms reflected the assumption that this audience knew the Psalter by heart. Their exegesis could draw on the meditative and homiletic techniques embedded in monastic lectio divina, and they could present the exegesis of the Psalms as an adjunct to the devout chanting of the Psalter in the monastic liturgy. When they appealed to past authorities, the monastic exegetes simply chose readings they found illuminating and, without identifying the source, wove them seamlessly into their own exposition. These aspects of Psalms exegesis are quite traditional. They are found over and over again in the monastic writers of the twelfth century