Music, action, and affect

&
In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press (2013)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 103,449

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Control and the science of affect: music and power in the medieval.Laurence Wuidar - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 271.
Emotions, identity, and copyright control: the constitutive role of affect attunement and its implications for the ontology of music.Ulrik Volgsten - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 341.
The emotional power of musical performance.Daniel Leech-Wilkinson - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 41.
Music-to-listener emotional contagion.Stephen Davies - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 169.
The psychotropic power of music during the Renaissance.Brenno Boccadoro - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 287.
On nostalgia.Jean Starobinski - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 329.
Forms of thought between music and science.Bernardino Fantini - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 257.
Three theories of emotion—three routes for musical arousal.Jenefer Robinson - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 155.
The singer's paradox: on authenticity in emotional expression on the.Klaus R. Scherer, Lucy Schaufer, Bruno Taddia & Christoph Prégardien - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press.
Appendix to" Gender ambivalence and the expression of passions.Christine Jeanneret - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 359.

Analytics

Added to PP
2014-02-01

Downloads
12 (#1,412,176)

6 months
1 (#1,572,794)

Historical graph of downloads
How can I increase my downloads?

Author Profiles

William Thompson
Karolinska Institute
Lincoln Colling
Cambridge University

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references