Biosemiotic Literary Criticism: Genesis and Prospectus

Springer Verlag (2021)
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Abstract

This volume is based to a large extent on the understanding of biosemiotic literary criticism as a semiotic-model-making enterprise. For Jurij Lotman and Thomas A. Sebeok, “nature writing is essentially a model of the relationship between humans and nature” ; biosemiotic literary criticism, itself a form of nature writing and thus itself an ecological-niche-making enterprise, will be considered to be a model of modeling, a model of nature naturing. Modes and models of analysis drawn from Thomas A. Sebeok and Marcel Danesi’s Forms of Meaning: Modeling Systems Theory and Semiotic Analysis as well as from Timo Maran’s work on “modeling the environment in literature,” Edwina Taborsky’s writing on Peircean semiosis, and, of course, Jesper Hoffmeyer’s formative work in biosemiotics are among the most important organizing elements for this volume.

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Chapters

Hierarchical Approaches to Biosemiotic Literary Criticism

In this chapter, I explore what Timo Maran calls “Hierarchical Approaches to Biosemiotic Criticism.” Accordingly, I discuss three novels, Darwin’s Radio, by Greg Bear; Clay’s Ark, by Octavia E. Butler; and, The Overstory, by Richard Powers, novels that dramatize how, as Maran writes, “we are not uni... see more

Epilogue: The Poet as Scientist; The Scientist as Poet

In this chapter, I offer eight biosemiotic concepts or principles and then eight corresponding sets of writing prompts, the idea being to help readers explore the biosemiotic connections between nature and culture, semiosis and writing, and science and literature. As Kalevi Kull has written, biosemi... see more

Significational Approaches to Biosemiotic Literary Criticism

In this chapter, I explore what Timo Maran calls “Significational Approaches to Biosemiotic Criticism.” More pointedly, I apply Peircean semiotics and semiotic modeling techniques :297–311, 2014a) in an attempt to bridge the Cartesian culture-nature, mind-body divides and, accordingly, to explore th... see more

Introduction: The Genesis of Biosemiotic Literary Criticism: How the Future “Presents” the Past

In this chapter, I provide a theoretical overview of the newly emerging field of biosemiotic criticism . I discuss how that field relates to literary criticism and to ecological criticism , what concepts and principles from biosemiotics inform biosemiotic criticism, and what approaches practitioners... see more

Communicative Approaches to Biosemiotic Literary Criticism

In this chapter, I discuss what Timo Maran calls “Communicative Approaches to Biosemiotic Criticism.” Working mostly with John Daniel’s piece of creative non-fiction “Pack Rat,” I explore how, in Maran’s words, Daniel attempts to “widen the sphere of subjects that have culture or communicative abili... see more

Analogical Approaches to Biosemiotic Criticism

In this chapter, I will explore what Timo Maran calls “Analogical Approaches to Biosemiotic Criticism.” I study the extent to which nature is always already a meaning-making, agentive, ironic, and signing process by looking at the linguistic and artistic modeling of predator-prey relationships in me... see more

Modeling Environments in Literature and Literary Criticism

In this chapter, I focus on applying models from a semiotic point of view for the purposes of understanding how humans represent their environments, how humans represent how plants and animals represent their environments, how writers model such representations, and how critics model how writers mod... see more

Evolutionary Approaches to Biosemiotic Literary Criticism

In this chapter, I give examples of evolutionary approaches to biosemiotic criticism, focusing on the evolutionary theories of Jakob von Uexküll and on Charles Sanders Peirce’s Ten and Twenty-Eight Classes of Sign as evolutionary and cognitive sets of scaffolding—perspectives that allow “evolutionar... see more

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