In Micheline Lesaffre, Pieter-Jan Maes & Marc Leman (eds.), The Routledge Companion of Embodied Music Interaction. London, UK: Routledge. pp. 133-140 (2017)
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| Abstract |
In this chapter I analyse group flow: a state in which performers report intense interpersonal absorption with the music and each other. I compare group flow to individual flow, and argue that the same essential structure can be discerned. I argue that group flow does not justify an anti-representationalist enactivist interpretation. However, I claim that the cognitive task in which the music is produced is irreducibly collective.
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| Keywords | flow social group collective music string quartets conducting error signalling enactivism representationalism |
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References found in this work BETA
What Are Emotions? And How Can They Be Measured?Klaus R. Scherer - 2005 - Social Science Information 44 (4):695-729.
Citations of this work BETA
Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity.Laura Bishop - 2018 - Frontiers in Psychology 9.
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