Abstract

In this essay, I argue that Antigone talks about the transgression of the edict and about her death as an issue within the politics of Thebes. As Antigone’s appropriation of key-words such as φίλος, έχθρός, φιλία, δίκη, ἄρχεΐν and νόμος shows, the heroine displays a political understanding of her own acts in several passages of the play. In my reading, Antigone’s political representation of her deeds is deeply rooted in her view of death as a free choice.