Abstract

This chapter is organized around two central questions. First, if art is political, in what ways is it political? Most theorists who identify themselves in some way with feminist aesthetics agree that art is political, but differ in how they think it is political. The second question is, if we assert that art is political in some way—although we need to clarify in exactly what ways it is political—is there anything to be learned from those philosophers such as Immanuel Kant who have argued for the universality of aesthetics? Feminists have produced a variety of answers to this question. In order to appreciate why and how the question has been answered so variously, we will need to understand something about the arguments that Kant put forward for the universality of aesthetics, and the relation between his view of aesthetic judgment and the other two domains of his critical philosophy, i.e. the metaphysical and the practical. We will also need to understand how and why, despite the severely problematic sexist, classist, and racist claims that Kant makes, his philosophy—in particular his aesthetics—remains a source of inspiration for some feminists and social-political philosophers.