Abstract

This article examines Peter Singer’s animal ethic’s theory and argues that the utilitarian calculus’ inherent process of abstraction and homogenisation is epistemically violent because it erases animals’ singularities. I also argue that considering the sentience we can know of as the only characteristic that marks animals as worthy of moral considerability, as Singer does, can lead to violent actions towards animals because this logic erases all the violence that escapes sentientist logics. I show that key to this critique is Singer’s misunderstanding of human sovereignty, and the relationship between human sovereignty and subjectivity. Further, I examine Singer’s conception of the “I”, and find that it is a lifeless and static one that leads his theory to foreclose ethical judgements. This article shows that animals’ irreducibility, vulnerabilities and otherness are sufficient to regard animals as worthy of moral considerability. Finally, I examine some practical implications of the arguments I advance.