Abstract

This essay explores two topics in Leonard Lawlor’s work: the role of space and the place of emotion. Lawlor’s early and middle works offer a complex and subtle discussion of time, with occasional adversions to space. I attempt to draw out what he says, or should say, about space and place in an effort for it to be given its due in the face of the temporocentrism that is endemic in continental philosophy since Bergson. From there I explore the role of affect and emotion in Lawlor’s more recent writing, arguing for its centrality in his promising and productive idea of “speaking out.”