Parody in the age of remix: mashup creativity vs. the takedown

Cambridge, Massachusetts: The MIT Press (2023)
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Abstract

Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations.

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