Europa! Europa?: The Avant-Garde, Modernism and the Fate of a Continent

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Walter de Gruyter (2009)
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Abstract

Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.

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9783110217711   9783110217728   3110217716

DOI

10.1515/9783110217728

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Chapters

Borderless Europe, Decentring Avant-Garde, Mosaic Modernism

“What’s the Difference?” Revisiting the Concepts of Modernism and the Avant-Garde

The Slovenian Interwar Literary Avant-Garde and Its Canonization

Toward a Horizontal History of the European Avant-Garde

The 20th Century: Century of the Arrière-Gardes?

“The Serpent Eats Its Tail”: Avant-Garde and Arrière-garde in Paris, 1943-1953

How We Look and Read: The European Avant-Garde’s Imprint on 20th-Century Theory

Phönix Europa? Krieg und Kultur in Rudolf Pannwitz’ und Hugo von Hofmannsthals europäischer Idee

Europa minor. Yvan and Claire Goll’s Europe

La revue Zenit: une avant-garde entre particularisme identitaire et internationalisme

Europa: une manifestation des avant-gardes européennes

L’avant-garde bulgare de l’entre-deux-guerres comme exemple de l’«autre Europe»

History or Europe: Images of Europe and Defense of Aesthetic Innovation in Post-1918 Poland

Ästhetische Moderne und totalitäres Anti-Europa: der spanische Avantgardist Ernesto Giménez Caballero

Ezra Pound’s Fascist “Europa”: Toward the Pisan Cantos

Writing the Foundations of a Better World: The Role of Anglo-German Literary Exchange in the Reconstruction of Germany and the Construction of Europe, 1945-1949

Avant-Garde or Civil Service? Yves Klein, Werner Ruhnau and “The European Situation”

Discours internationaliste et conscience identitaire des échanges culturels : l’exemple belgo-allemand

Historizing Modern Art: The “Difficult” Names

The Insignia of Modernity and “le mouvement Apollinaire”

Okkultismus, Esoterik, Mystik und die Ikonographie des Unsichtbaren in der frühen mitteleuropäischen Avantgarde. Das Beispiel der Posener Gruppe Bunt und des Bauhausprofessors Lothar Schreyer

Apokalypse als Narrenspiel: Kurt Schwitters und die Mystik

Messianic Endgames in German-Jewish Expressionist Literature

“Here I am at home – here I am in a foreign land”. Multilingualism, Modernism and territorialization in the Works of the Finland-Swedish Writer Elmer Diktonius

Configurations « autographiques » dans Mémoires d’une liseuse de draps de Belen/Nelly Kaplan, ou comment déclencher le fou rire

Artificial Africa in the European Avant-Garde: Marinetti and Tzara

Seeing African Sculpture: Carl Einstein’s “ethnographie du blanc”

Surrealism for the Ear: Paul Deharme’s Radio-Plays

Amauta, l’Europe et les avant-gardes

Carpentier’s Marvellous Real: Modernity and its Discontents in the Tropics

Europa, Amerika in transition : Literatursprachliche Interkulturalität und Transgressionen des Avantgardesubjekts

Travels of an Avant-Gardist, West-East-West: On Kawara

The Colour of Modernism: Colour-Form Experiments in Europe and Australia

Discours internationaliste et conscience identitaire des échanges culturels : l’exemple belgo-allemand (Der Sturm, Résurrection)

“Here I am at home – here I am in a foreign land”. Multilingualism, Modernism and (De)territorialization in the Works of the Finland-Swedish Writer Elmer Diktonius

Europa, Amerika in transition (1927-1938): Literatursprachliche Interkulturalität und Transgressionen des Avantgardesubjekts

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