- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Musical works, improvisation, and the principle of continuity
Journal of Aesthetics and Art Criticism 54 (4):353-369 (1996)
Abstract
This article has no associated abstract. (fix it)My notes
Similar books and articles
The methodology of musical ontology: Descriptivism and its implications.Andrew Kania - 2008 - British Journal of Aesthetics 48 (4):426-444.
Musical ontology. Sounds, instruments and works of music / Julian Dodd ; Doing justice to musical works / Michael Morris ; Versions of musical works and literary translations.Stephen Davies - 2007 - In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Performance interpretations of musical works.Stephen Davies - 2006 - Nordic Journal of Aesthetics 18 (33-34).
Fine individuation.Carl Matheson & Ben Caplan - 2007 - British Journal of Aesthetics 47 (2):113-137.
Defending musical perdurantism.Ben Caplan & Carl Matheson - 2006 - British Journal of Aesthetics 46 (1):59-69.
Analytics
Added to PP
2009-01-28
Downloads
114 (#150,356)
6 months
19 (#120,633)
2009-01-28
Downloads
114 (#150,356)
6 months
19 (#120,633)
Historical graph of downloads
Citations of this work
We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices?Georg W. Bertram & Alessandro Bertinetto - 2020 - Open Philosophy 3 (1):202-221.
Why Gamers Are Not Performers.Andrew Kania - 2018 - Journal of Aesthetics and Art Criticism 76 (2):187-199.
A pragmatic approach to the identity of works of art.Julie C. van Camp - 2006 - Journal of Speculative Philosophy 20 (1):42-55.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6d9b7f7c4c-67rzb uwo