Michael Boylan
Marymount University
Este ensayo discutirá algunos de los modos en que la narrativa trabaja para promover la filosofía, llamada filosofía narrativa de ficción. La estrategia es discutir las maneras en que trabaja el discurso directo e indirecto y mostrar por qué el discurso indirecto llena un vacío importante que el discurso directo no puede satisfacer. En el curso de este examen, serán analizados diferentes filósofos de la narrativa ficcional como Platon, Kierkegaard, Nietzsche, Sartre, Murdoch, Johnson, y Camus. Ellos utilizan el discurso indirecto para hacer plausible a los lectores la visión que están presentando. El artículo muestra algunas restricciones a este proceso.
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DOI 10.22370/rhv/20132/10
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References found in this work BETA

Fact, Fiction, and Forecast.Nelson Goodman - 1955 - Harvard University Press.
Ethics Without Principles.Jonathan Dancy - 2004 - Oxford University Press.
Morals by Agreement.David P. Gauthier - 1986 - Oxford University Press.
Fact, Fiction, and Forecast.Nelson Goodman - 1955 - Philosophy 31 (118):268-269.

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Moral Particularism and the Role of Imaginary Cases: A Pragmatist Approach.Nate Jackson - 2016 - European Journal of Pragmatism and American Philosophy 8 (1):237-259.

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