Abstract

My paper seeks to maintain that in Wittgenstein there is more than the simple and obvious negation of artistic quality as the property of things, and thus a criticism of any essentialism. My reasoning will connect Wittgenstein’s evaluative idea of the aesthetic with its philosophical conception of Aspekt and the self-revealing character of the form. The themes this paper deals with are: the aesthetic judgment; the sensitivity toward rules; the aesthetic judgment as an example of the understanding of meaning. Aesthetic judgments are not to be understood as a philosophical paradigm but as a case of what, for Wittgenstein, is in general the aesthetic understanding of meaning