Abstract

In The Politics of Vibration, cultural theorist Marcus Boon offers both an anthropological and theoretical account of vibrational ontology. Boon focuses on the work of three contemporary musicians-Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop creator, DJ Screw-each emerging from a different but entangled set of musical traditions or scenes, whose work is ontologically instructive. Written as a series of improvisations on the life and work of these musicians, The Politics of Vibration expands in the direction of considering the vibrational nature of music more generally. Vibration is understood in multiple ways, as a mathematical and a physical concept, as a religious or ontological force, and as a psychological/psychoanalytic determinant of subjectivity.