Abstract

In his poems, Paul Celan does not use words such as territory, border, border crossing, and only very rarely the word space. I would like to reconstruct the traces of?Heimat? in Celan, and perhaps try to describe what Heimat might have meant for the young Paul Antschel. That is to say, I would like to understand whether?Heimat? is synonymous with what Celan speaks about, many years after his name change, in the address given on the occasion of the Georg-Buechner-Preis:?Ich suche auch, denn ich bin ja wieder da, wo ich begonnen habe, den Ort meiner eigenen Herkunft.? In the poems written at the time when Antschel is learning Hebrew as well as reading Martin Buber for the first time, I look for some basic figures Celan ties to his life in Bukovina at the time, in the environment of Czernowitzer Judentums. Aside from the works by Israel Chalfen, Else Keren and Elke Guenzel, I would like to make use of a book published some ten years ago, a detailed listing of Celan?s Paris library. I would like to consult this archive in the coming period, since Celan punctuated the margins of many of those books with evocations of his early creative period.