The Time of Drama in Nietzsche and Deleuze: A Life as Performative Interaction
Deleuze and Guatarri Studies 4 (1):70-82 (2010)
Abstract
Nietzsche's model of eternal return triggers a drama of affirmation, the overcoming of a simple miming of our ancestors in favour of an active participation in the counter-actualisation of hidden potentials in recurrent events. Based on a close study of Zarathustra's struggle to free himself from a suffocating nihilism, the paper focuses on the revelatory caesura that ushers in what Deleuze calls the third synthesis of time, a time of ‘doing’ rather than reflectionAuthor's Profile
DOI
10.3366/e1750224110000826
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Citations of this work
Deleuze’s Nietzschean Mutations: From the Will to Power and the Overman to Desiring-Production and Nomadism.James Mollison - 2022 - Deleuze and Guattari Studies 16 (3):428-453.
Nietzsche’s notebook of 1881: The Eternal Return of the Same.Daniel Fidel Ferrer & Friedrich Nietzsche - 2021 - Verden, Germany: Kuhn von Verden Verlag..
Positively dead : an examination of the concept of the death drive in Gilles Deleuze’s difference and repetition.Shaun Stevenson - 2021 - Dissertation, University of Warwick
References found in this work
Thus Spoke Zarathustra: A Book for All and None.Friedrich Wilhelm Nietzsche (ed.) - 1907 - Cambrige University Press.
Potentialities.Brian Dillon, Giorgio Agamben & Daniel Heller-Roazen - 2001 - Substance 30 (1/2):254.