Abstract

This book is a study in film and philosophy that explores the intersection of global post-fascist cinema, ethics and justice, and screen bodies. It addresses the question "What is the good of film experience?" by staging an encounter between Levinasian-Derridean concerns over ethics and justice and cinematic engagements with issues of embodied and haptic response. In the end, this book argues such international filmmaking provokes us to respond through a redeployment of our questions of ethics and justice as well as our questions of film making and experiencing