Naharaim 14 (2):209-223 (2020)

Luca Bertolino
University of Turin
Starting with theoretical considerations on redemption in Rosenzweig's "Der Stern der Erlösung", this paper highlights the connection between redemption and choral form in Church music. Therefore, according to Rosenzweig, one can clearly distinguish between sacred/religious and spiritual/intellectual music. Rosenzweig also writes about renewing Jewish worship through Bach's vocal music, but we are given scant hints about this. "Bach in die Synagogen!" is nevertheless important, not only as an example for interreligious dialogue, but above all as an invitation to think about redemption in the postmodern condition.
Keywords Franz Rosenzweig  Redemption  Music  Postmodernity
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DOI 10.1515/naha-2019-0009
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References found in this work BETA

Religion Und Musik Bei Franz Rosenzweig.Luca Bertolino - 2019 - In Hans Martin Dober & Frank Thomas Brinkmann (eds.), Religion.Geist.Musik. Theologisch-kulturwissenschaftliche Grenzübergänge. Wiesbaden: Springer. pp. 59-84.
Franz Rosenzweig: une pensée juive moderne.E. Lévinas - 1965 - Revue de Théologie Et de Philosophie 15:208.

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Die Rolle des Chores in Franz Rosenzweigs Stern der Erlösung.Luca Bertolino - 2010 - Rosenzweig Jahrbuch / Rosenzweig Yearbook 5:141-159.
Philosophical and Theological Writings.Franz Rosenzweig - 2000 - Hackett Publishing Company.
La filosofia del nulla in Franz Rosenzweig.Luca Bertolino - 2000 - Annuario Filosofico 16:257-287.


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