Abstract
In Plato’s Phaedrus divine inspiration comes literally to mean “environmental inspiration.” Intimated thereby is the insufficiency of all reflection on the divine and the natural which would fail to interrogate these categories precisely in their convergence, indeed, in their being one. The theme of inspiration, in its divine or elemental character, necessarily raises further questions concerning the status of inspired utterance—that is, in this case, of philosophical discourse itself. These themes finally point to the problem of the provenance of speaking and writing, if not from a purely active and free subject.
Keywords Ancient Philosophy  Continental Philosophy  History of Philosophy
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ISBN(s) 1085-1968
DOI epoche200611111
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