Why Care about Emotions in Music

Philosophia 46 (3):633-646 (2018)
  Copy   BIBTEX

Abstract

The article aims at discerning and explaining the significance and role of emotive notions in understanding music, in performing it or listening to it with the appropriate understanding. The suggestion focuses on two notions: that of making sense of various musical features and their interconnections, and that of helping manage the enormous information one needs to process in keeping on the trail of the music in real time.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.
Music, memory and emotion.Lutz Jäncke - 2008 - Journal of Biology 7 (6).
Music, emotion and metaphor.Nick Zangwill - 2007 - Journal of Aesthetics and Art Criticism 65 (4):391-400.
Against emotion: Hanslick was right about music.Nick Zangwill - 2004 - British Journal of Aesthetics 44 (1):29-43.

Analytics

Added to PP
2017-06-16

Downloads
28 (#555,203)

6 months
11 (#222,787)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

Mind and World.John McDowell - 1994 - Cambridge: Harvard University Press.
Mind and World.Huw Price & John McDowell - 1994 - Philosophical Books 38 (3):169-181.
Mind and World.John Mcdowell - 1996 - Philosophical Quarterly 46 (182):99-109.
Mind and World.John McDowell - 1994 - Philosophical and Phenomenological Research 58 (2):389-394.

View all 22 references / Add more references