Bakhtinian Explorations of Indian Culture: Pluralism, Dogma and Dialogue Through History

Springer Singapore (2018)
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Abstract

This volume, an important contribution to dialogic and Bakhtin studies, shows the natural fit between Bakhtin’s ideas and the pluralistic culture of India to a global academic audience. It is premised on the fact that long before principles of dialogism took shape in the Western world, these ideas, though not labelled as such, were an integral part of intellectual histories in India. Bakhtin’s ideas and intellectual traditions of India stand under the same banner of plurality, open-endedness and diversity of languages and social speech types and, therefore, the affinity between the thinker and the culture seems natural. Rather than being a mechanical import of Bakhtin’s ideas, it is an occasion to reclaim, reactivate and reenergize inherent dialogicality in the Indian cultural, historical and philosophical histories. Bakhtin is not an incidental figure, for he offers precise analytical tools to make sense of the incredibly complex differences at every level in the cultural life of India. Indian heterodoxy lends well to a Bakhtinian reading and analysis and the papers herein attest to this. The papers range from how ideas from Indo-European philology reached Bakhtin through a circuitous route, to responses to Bakhtin’s thought on the carnival from the philosophical perspectives of Abhinavagupta, to a Bakhtinian reading of literary texts from India. The volume also includes an essay on ‘translation as dialogue’ – an issue central to multilingual cultures – and on inherent dialogicality in the long intellectual traditions in India.

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Chapters

Translation as Dialogue: A Perspective

Translation Studies as a discipline is young and there is much to be explored. India has a long tradition of translation. Since ages, it has been practiced and it has played a vital role in knitting India as a nation throughout her history. It has played role in extending the scope of language and r... see more

Animal as Hero: Narrative Dynamics of Alterity and Answerability in the Elephant Stories of Aithihyamala

This study examines the elephant stories in the Malayalam text Aithihyamala compiled by Kottarathil Sankunni against the socio-cultural scenarios constructed around elephants in the textual and ritual traditions of Kerala. The dialogic possibilities embedded in such scenarios and their heteroglossic... see more

“You Yourself Are a Mosque with Ten Doors”: A Bakhtinian Reading of the Dialogic Tradition in Indian Poetry

Indian poetry is essentially pluralistic in its affiliation to multiple traditions, divergent modes of articulations and ideological orientations. The canonical tradition that goes back to Sanskrit epics and Vedic ritualistic compositions has been challenged by an equally robust popular tradition ce... see more

The Dialogicity of Travel: Nanak’s Udasis

The present chapter proposes to examine the dialogicity of travel which, in itself, is necessarily a two-way encounter between the worlds of exteriority and interiority, an encounter which allows for a multiplicity of reactions, emotions, ideas and reflections.

Dancing in the Sky of Consciousness: Architectonics and Answerability in the Aesthetic Vision of Malavika Sarukkai

The chapter shows how the key concepts in Bakhtin’s works on aesthetics like architectonics and answerability are manifested in the dance of Malavika Sarukkai. The key features of creativity evident in the performances of this eminent Bharata Natyam dancer are discussed in the light of Bakhtin’s wor... see more

The Rule of Freedom: Rabelais, Bakhtin, Abhinavagupta

Transgressive laughter is best understood through the principle of ‘freedom’ , the central concern of Rabelais, Bakhtin, and Abhinavagupta. The medieval Christian dispensation revolved around the opposition, alternation, and complementarity between the stern, ascetic, otherworldly spiritual ideal of... see more

Carnival and Transgression in India: Towards a Global Spring?

The riotous carnival that regularly punctuated the ordered life of traditional societies was characterized by the collective suspension of religious norms. The licentious eruption of animal instincts was epitomized by universal laughter that embraced all and spared none. The vernacular mock-brahmin,... see more

From Indo-European Philology to the Bakhtin Circle

Bakhtin’s work of the 1930s and 1940s is considered in the context of the development of Soviet Indology in the same period. There is discussion of the anti-Eurocentric thrust of Soviet Oriental Studies generally and the way in which Mikhail Tubianskii brought this into the discussions of the Bakhti... see more

Introduction: Intellectual Traditions of India in Dialogue with Mikhail Bakhtin

In this introductory chapter, Mikhail Bakhtin’s works and key concepts are reviewed, drawing parallels with dialogicality in the intellectual traditions of India while pointing out important distinctions. The chapter shows that the epic/novel distinction that Bakhtin holds has no relevance in the In... see more

Dead Text or Living Consciousnesses? Bakhtinian Poetics in the Francophone African Context

Mikhail Bakhtin’s theorization of language as inherently ‘dialogic’ or oriented in interactive engagement with other languages has revolutionized ways of thinking of pragmatic language use, drawing crucial attention to the dynamic and subtle processes that go into the making of speech acts. In the r... see more

Exploring Bakhtin’s Dialogic Potential in Self, Culture, and History: A Study of V.S. Naipaul’s India: A Million Mutinies Now

The proposed chapter aims to look at the dialogic potential in self , culture, and history through an examination of V.S. Naipaul’s India: A Million Mutinies Now . Naipaul here shifts the focus of historical attention from the macro to the micro level, that is, toward the gradual evolution of indivi... see more

Talking Texts, Writing Memory: A Bakhtinian Reading of Meena Alexander’s Fault Lines

This chapter will use Mikhail Bakhtin’s concept of dialogism and polyphony and the notion of the crisis of authorship and utterance to read South Asian American diasporic writer Meena Alexander’s 1993Fault Lines: A Memoir and the revised 2003 version as dialogic texts. Alexander’s memoirs engage, co... see more

Dialoguing the Web: Digital Technologies and Pedagogy

Web technology, in its current avatar, has been fiercely debated in terms of its efficacy in the field of humanities pedagogy. However, the verdict has not yet been delivered. This chapter is an attempt to explore the theoretical premises of web technology within which they operate and its interacti... see more

A Bakhtinian View of the Development of the Novelistic Genre in India

This chapter seeks to draw a parallel between the conditions responsible for the emergence of the novel as a genre in Europe, as explained mainly in Bakhtin’s article ‘From the Prehistory of Novelistic Discourse’ and also his other work, and the absence of those conditions in India. Almost contradic... see more

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