Abstract

In a recent poem, Vom Schnee, oder Descartes in Deutschland, German writer Durs Grünbein suggests that a snowy, white landscape inspired the young René Descartes to theoretically define nature. Indeed, Descartes's reduction of nature to extended matter composed of particles in movement and abiding by the laws of nature entails a reduction of all bodies' diversity to a mechanistic system in which all secondary qualities are mathematically framed. The description of colors in the Regulae ad directionem ingenii exemplifies this reduction of nature to a geometrical grid with no differences—Jean-Luc Marion (Sur...