Abstract

The present study sets out to discuss a literary work as a reflection of topophrenia, a space of anguish, which contains the data of both the abandoned space and of the new home, which are hypostasized in positive or negative emotions that the exiled writer experiences. Focusing on the exile and the space in Norman Manea’s works, this article proves the existence of an original view about this experience. Manea’s last novel, The Exiled Shadow (2021) is also included in our analyses.