Research in Phenomenology 48 (3):385-407 (2018)

Authors
Babette Babich
Fordham University
Abstract
This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addition to Nietzsche’s interest in composition, together with his rhythmic analysis of Ancient Greek as the basis of what he called the “spirit of music” with respect to tragedy. The language of “sonic branding” allows a discussion of what Günther Anders described as the self-creation of mass consumer but also the ghostly time-space of music in the broadcast world. A brief allusion to Rilke complements a similarly brief reference to Jankelevitch’s “ineffable.”
Keywords remix culture   radio   recording consciousness   “covers”  rhythm
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DOI 10.1163/15691640-12341403
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References found in this work BETA

Cover.[author unknown] - 2017 - Journal of Medicine and Philosophy 42 (2):NP-NP.
Nietzsche: Looking Right, Reading Left.Babette Babich - forthcoming - Educational Philosophy and Theory:1-8.
Cover.[author unknown] - 2016 - Journal of Medicine and Philosophy 41 (5):NP-NP.

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