Renascence 72 (2):87-98 (2020)

This essay argues that Coleridge’s Rime of the Ancient Mariner represents in its imagery a tension within Coleridge prior to his conversion to Anglicanism. Specifically, the poem’s treatment of institutional sacraments argues for their apparent inefficacy, at least from the Mariner’s vantage point. The sacramental idea upheld by a High Church view would suggest that particular earthly institutions, such as Holy Communion or matrimony, could function as actual and not merely symbolic vehicles of divine grace. The Rime, however, displays a protagonist whose hopes for such possibilities are repeatedly disappointed. Consequently, Coleridge’s poem depicts the terrors of a cosmos in which the activities of divine grace are removed from and inaccessible to human intelligibility and choice.
Keywords Catholic Tradition  Language and Literature
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DOI 10.5840/renascence20207227
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