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Considering the filmmaker: Intensified continuity, narrative structure, and the Distancing-Embracing model
Behavioral and Brain Sciences 40 (2017)
Abstract
Menninghaus et al. pose two open-ended questions: To what extent do formal elements of art elicit negative affect, and do artists try to elicit this response in a theory-based or intuitive manner? For popular movies, we argue that the consideration of their construction is prior to the consideration of the experience that they evoke.Author's Profile
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